Atticus’ Song of the Day leads to an in-depth study in bass weight’s past and present.
Here is my top ten for 2011, as you can see I have some chill wave and some straight up dance-floor bombs filling out my top ten. This has been an amazing year musically, and we were blessed with tons of great albums and singles.
German electro-pop pioneers Kraftwerk flew mostly below the radar stateside, yet they were a very influential group to many synth based artists that charted highly in America. Driving rhythms with flowing melodies can be a formula for pop success and this was the basic recipe for their 1978 release, “The Model.”
A late entry into the Halloween-themed downloads, Glass Candy have created an homage to John Carpenter’s legendary all-synthesizer scores for his own “Halloween” films. A sing-song “trick or treat” melody glides atop slick synths creeping along at a stalker pace. Nicely done!
Fresh from the lab, here’s a new mix just in time for Halloween scares! Forty-eight minutes of creeping, unrelenting menace.
Just a few songs I’ve been personally feeling lately, including great new releases from indie artists St. Vincent and CANT, a brilliant cumbia/house hybrid from Quantic, vital revivalist soul from Raphael Saadiq, and some incredible reworkings of classics from Stevie Wonder and Marvin Gaye.
Ten years and twelve albums into his career, Will Holland aka Quantic shows no sign of stopping. This new double-disc retrospective highlights his amazingly varied music released under a number of studio projects.
This is a cool little Flash toy courtesy Sembeo that allows you to play simple bell tones on an interactive matrix.
Really feeling the late-night R&B-meets-indietronica stylings of The Weeknd right now. Their debut mixtape is now available for download.
I gotta give some much-deserved respect to an artist buried in tonight’s Warehouse line-up: Manchester-based Trus’me, producer of late-night, jazzed-up, dubbed-out Detroit-styled house and disco.